- ...1
- =
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- ...
Consciousness?2
- We are indebted to Stevan Harnad
for helpful electro-conversations, and
Ned Block for corporeal conversations,
on some of the issues discussed herein.
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- ... cracked3
- Things not necessarily
to be ranked in the order listed here.
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- ... unconscious.4
- Def 1's
time index (which ought, by the way, to be a
double time index -- but that's something that needn't detain us here)
is necessary;
this is so in light of thought-experiments like the following. Suppose
(here, as I ask you to suppose again below) that while reading
Tolstoy's Anna Karenina you experience the state
feeling for Levin's
ambivalence toward Kitty. Denote this state by
;
and suppose that
I have
at 3:05 pm sharp; and suppose also that I continue reading
without interruption until 3:30 pm, at which time I put down the
novel; and assume, further, that from 3:05:01 -- the moment at which
Levin and Kitty temporarily recede from the narrative -- to 3:30 I'm
completely absorbed in the tragic romance between Anna and Count
Vronsky. Now, if I report at 3:30:35 to a friend, as I sigh and think
back now for the first time over the literary terrain I have passed,
that I feel for Levin, are we to then say that at 3:30:35
,
by virtue
of this report and the associated higher-order state targeting
,
becomes a conscious state? If so, then we give me the power to
change the past, something I cannot be given.
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- ... A-conscious.5
- The
problem is that probably any computational artifact will qualify
as A-conscious. We think that does considerable violence to our pre-analytic
concept of consciousness, mongrel or not. One of
us (Bringsjord) has suggested, accordingly,
that all talk of A-consciousness be supplanted with suitably configured
constituents from Block's definiens. All of these
issues -- treated in [Bringsjord, minga] -- can be left aside without
harming the present enquiry.
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- ...
S-consciousness.6
- As
Block points out, there are certain behaviors which seem to suggest
that chimps enjoy S-consciousness: When colored spots are painted
on the foreheads of anesthetized chimps, and the creatures wake
and look in a mirror, they try to wipe the spots off [Povinelli, 1997].
Whether or not the animals really are self-conscious is beside the point,
at least for our purposes. But that certain overt behavior is
sometimes taken
to be indicative of S-consciousness is relevant to what we are about
herein (for reasons to be momentarily seen).
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- ... memory.7
- You may be thinking:
Why should a robot need to believe such a thing? Why not just be able
to do it? After all, a simple photoactic robot need not believe
that it knows where the light is. Well, actually, the case we mention
here is a classic one in AI. The trick is that unless the robot believes
it has the combination to the lock in memory, it is irrational to for it to
fire off an elaborate plan to get to the locked door. If the robot doesn't
know the combination, getting to the door will have been a waste of time.
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- ... us8
- This is a bit loose; after all, the
engineer could want to make a conscious robot specifically for the purposes
of studying consciousness. But we could tighten Q2 to something like
- Q2'
- Why, specifically, might an AI engineer try to give her artifact
consciousness in order to make it more productive?
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- ...
superfluous.9
- John Pollock, whose engineering efforts,
he avows, are dedicated to the attempt to literally build an
artificial person, holds that emotions are at bottom just timesavers,
and that with enough raw computing power, the advantages they
confer for us can be given to an
``emotionless" AI -- as long as the right
algorithms are in place. See his discussion of emotions and
what he calls Q&I modules in his [Pollock, 1995].
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- ... dead.10
- This scenario
would seem to resemble a real-life phenomenon: the so-called
``Locked-In" Syndrome. See [Plum & Posner, 1972] (esp. the
fascinating description on pages 24-5)
for the medical details.
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- ... movies.11
- The zombies of cinematic
fame apparently do have real-life correlates
created with a mixture of drugs and pre-death
burial: see [Davis, 1985],
[Davis, 1988].
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- ... cranium.12
- For
example, the toolbox is opened and the silicon supplantation elegantly
pulled out in [Cole & Foelber, 1984].
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- ...
him).13
- Despite having no such talents, one
of us (Bringsjord) usually spends
twenty minutes or so telling a relevant short story to students when
he presents zombies
via V2. In this story, the doomed patient in V2 -- Robert -- first
experiences
an unintended movement of his hand, which is interpreted by an
onlooker as perfectly natural. After more bodily movements of this
sort, an unwanted sentence, to Robert's mounting horror, comes
involuntarily up from
his voicebox -- and is interpreted by an interlocutor as
communication from Robert. The story describes how this weird
phenomenon intensifies
and finally approaches Searle's
``late stage" description in V2 above. Now someone might say: ``Now
wait
a minute. Internal amazement at dwindling consciousness requires differing
cognition, a requirement which is altogether incompatible with the
preservation (ex hypothesi) of identical ``information flow". That is,
in the absence of an argument to the effect that ordinary cognition (never
mind consciousness) fails to supervene on ``information flow", V2 is
incoherent". The first problem with this objection is that it ignores
the ordering of events in the story. Robert, earlier, has had his
brain supplanted with silicon workalikes -- in such a way that all the same
algorithms and neural nets are in place, but they are just instantiated in
different physical stuff. Then, a bit later, while these algorithms and
nets stay firmly and smoothly in place, Robert fades away. The second problem
with the present objection is that it's a clear petitio, for the
objection is that absent an argument that consciousness is conceptually
distinct from information flow, the thought-experiment fails (is incoherent).
But the thought-experiment is designed for the specific purpose of showing that
information flow is conceptually distinct from consciousness! If X maintains
that, necessarily, if p then q, and Y,
in attempt to overthrow X's modal conditional, describes a scenario in which,
evidently,
p but
,
it does no good
for X to say: ``Yeah, but you need to show that p can present without q".
In general, X's only chance is to grapple with the issue in earnest:
to show that the
thought-experiment is somehow defective, despite appearances to the contrary.
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- ... 304-313).14
- This
is
an argument on which
Dennett has recently placed his
chips: In his recent
``The Unimagined Preposterousness of Zombies"
[Dennett, 1995]
Dennett says that the argument
in question shows
that zombies are
not really conceivable.
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- ...
.15
- For
cognoscenti: we
could then invoke some very plausible semantic
account of this formalism suitably parasitic on the standard semantic
account of
.
For a number of such accounts,
see [Earman, 1986].
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- ... possible.16
- It is of course much easier to
convince someone that it's logically possible that it's physically
possible that Jones' brain is transplanted: one could start by
imagining (say) a world whose physical laws allow for body parts
to be removed, isolated, and then made contiguous, whereupon the
healing
and reconstitution happens automatically, in a matter of minutes.
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- ...
possible.17
- Chalmers gives the case of a mile-high unicycle, which
certainly seems logically possible.
The burden of proof would surely fall on the person claiming that such
a thing is logically impossible. This may be the place to note that
Chalmers considers it
obvious that zombies are both
logically and physically possible -- though he doesn't think zombies
are naturally possible. Though we disagree with this position,
it would take us too far afield to consider our objections. By the way,
Chalmers refutes ([Chalmers, 1996], 193-200)
the only serious argument for the logical impossibility
of zombies not mentioned in this paper, one due to
Sydney Shoemaker [Shoemaker, 1975].
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- ... brains.18
- A quick
encapsulation: Artificial
neural nets (or as they are often simply called, `neural
nets') are composed of units or
nodes designed to
represent neurons, which are connected by links
designed to represent dendrites, each of which has a numeric
weight. It is usually assumed that some of the units work in symbiosis
with the external environment; these units form the sets of input
and output units. Each unit has a current activation level,
which is its output, and
can compute, based on its
inputs and weights on those inputs,
its activation level at the next moment in time. This computation is entirely
local: a unit takes account of but its neighbors in the net. This local
computation is calculated in two stages. First, the input function,
ini, gives the weighted sum of the unit's input values, that is, the sum
of the input activations multiplied by their weights:
In the second stage, the activation function, g, takes the input from
the first stage as argument and generates the output, or activation level, ai:
One common (and confessedly elementary) choice for the activation function
(which ususally governs all units in a given net) is the step function, which
usually has a threshold t that sees to it that a 1 is output when the input
is greater than t, and that 0 is output otherwise.
This is supposed to
be ``brain-like" to some degree, given that 1 represents
the firing of a pulse from a neuron through an axon, and 0 represents
no firing.
As you might imagine, there are many different kinds of neural nets. The
main distinction is between feed-forward and recurrent nets.
In feed-forward nets, as their name suggests, links move information in
one direction, and there are no cycles; recurrent nets allow for cycling back,
and can become rather complicated. Recurrent nets underlie the
MONA-LISA system we describe below.
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- ... zombies."19
- As Ned Block
has recently pointed out to one of us (Bringsjord),
since at least all mammals are probably
P-conscious, the accident would had to have happened quite a while ago.
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- ... nowhere.20
- This is eloquently explained by
Flanagan & Polger [Flanagan & Polger, 1995], who explain the
some of the functions attributed to P-consciousness can be
rendered in information-processing terms.
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- ...
follows.21
- Some may object to P2 in this way:
``Prima facie, this is
dreadfully implausible, since each (x and
)
may be an effect of a cause
prior to both. This has a form very similar to: provided there is constant
conjunction between x and
,
and someone somewhere thinks x is
centrally imployed in
-ing, x actually does facilitate
-ing."
Unfortunately, this counter-argument is very weak. The objection is an
argument
from analogy -- one that supposedly holds between defective inferences to
causation from mere constant conjunction to the inference P2 promotes. The
problem is that the analogy breaks down: in the case of P2, there is more,
much more, than constant conjunction (or its analogue) to recommend the
inference -- as is explicitly reflected in P2's antecedent: it makes
reference to evidence from reports and from the failure of certain engineering
attempts. (Some of the relevant reports are seen in the case of Ibsen. One such
report is presented below.)
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- ...
P-consciousness.22
- Henrik Ibsen wrote:
I have to have the character in mind through and through, I
must penetrate into the last wrinkle of his soul. I always
proceed from the individual; the stage setting, the dramatic
ensemble, all that comes naturally and does not cause me any
worry, as soon as I am certain of the individual in every aspect
of his humanity. (reported in [Fjelde, 1965], p. xiv)
Ibsen's modus operandi is impossible for an agent incapable
of P-consciousness. And without something like this modus
operandi how is one to produce creative literature?
At this point we imagine someone objecting as follows. ``The position
expressed so far in this paper is at odds with the implied answer to the
rhetorical question, Why can't impenetrable zombies write creative literature?
Why can't an impenetrable zombie report about his modus operandi
exactly as Ibsen did, and then proceed to write some really great stories? If
a V2 zombie is not only logically, but even physically possible, then it is
physically possible that Ibsen actually had the neural implant procedure
performed on him as a teenager, an no one ever noticed (and, of course no one
could notice)."
The reply to this objection is simple: Sure, there is a physically
possible world w in which Ibsen's output is there but
P-consciousness isn't. But the claim we're making, and the one we need, is
that internal behavior of the sort Ibsen actually engaged in (``looking
out through the eyes of his characters") requires P-consciousness.
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- ... short-short23
- Our term
for stories about the length of Betrayal.1. Stories of this type are
discussed in [Bringsjord & Lally, 1997].
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- ...
Rensselaer,24
- Information can be found at
http://www.rpi.edu/dept/ppcs/MM/c-agents.html.
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- ... not.25
- For reasons explained
in [Bringsjord & Ferrucci, 1997], BRUTUS.1 does seem to satisfy the most
sophisticated definition of creativity in the literature, one
given by [Boden, 1995].
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- ... space.26
- It may
be thought that brute force can obviously enumerate a superset of
,
on the strength of reasoning like this:
Stories
are just strings over some finite alphabet. Given
the stories put on display on behalf of BRUTUS.1, the alphabet
in question
would seem to be
{ Aa, Bb, Cc,
,
:, !, ;,
}, that is, basically
the characters on a computer keyboard. Let's denote this
alphabet by `E.' Elementary string theory tells us that though
,
the set of all
strings that can be built from E, is infinite,
it's countably infinite, and that therefore there
is a program P which enumerates
.
(P, for example, can
resort to lexicographic ordering.) From this it follows that
the set of all
stories is itself countably infinite.
However, though we concede
that there is good reason to think that even
if the set of all stories is in some sense
typographic, it needn't be countably
infinite. Is the set
of all letter As, countable? (Hofstadter
[Hofstadter, 1982]
says ``No.") If not,
then simply imagine a story associated with every element within
.
For a
parallel route to the same result, think of a story about
,
a story about
,
indeed a story for every real number!
On the other hand, stories,
in the real world, are often
neither strings nor, more generally,
typographic. After all, authors often think about, expand, refine,
stories without considering anything
typographic whatsoever. They may ``watch" stories
play out before their mind's eye, for example. In fact, it seems
plausible to say
that strings (and the like) can be used to represent stories,
as opposed to
saying that the
relevant strings, strictly speaking, are stories.
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- ... linked.27
- For
instance,
although both decimal and roman numeral notations can represent numbers, the
process of
multiplying roman numerals is much more difficult than the process for
multiplying
decimals. Of the two notations, decimal notation is
in general the better representation
to enable
mathematical processes
[Marr, 1982].
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- ... representation.28
- We imagine
some readers asking: ``Mightn't `morphogenesis' fit better?"
We use `epigenesis' in order to refer
to the complete process of mapping from the genotype to the phenotype.
However,
morphogenesis does capture the essence of the process that is used in our
(Noels') work; frankly, we are smitten with the analogy. Choosing the atom
features (say pixel for images, Hardy waves for sound) is similar to starting
with a specialized cell, then forming the cell into some organization --
morphogenesis.
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- ... selecting.29
- Our intuition, for what it's worth, is that
humans here provide a holistic evaluation function that mimics the forces of
nature.
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- ... phenotype.30
- Of course, even inspiration, insight, and phenomenal
consciousness can preclude creativity, if one warps the example enough.
But our point is really a practical warning: limiting and bounding
the phenotype, ceteris paribus, can preclude creativity, so computational
engineers beware!
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- ... pre-determined.31
- Here are some more details on MONA-LISA:
The DNA code is a vectorized string in which each gene represents one of the
pixels in an associated image (usually a 25 x 25 pixel array). The level of a
gene encodes the color of the pixel (usually 4 grays, or 8 colors). Fifty
images are in each generation, of which the evolver selects ten to be the
parents for the next generation. Reproduction is accomplished by selecting
two parents at random and generating the offspring's DNA by randomly and
uniformly selecting between the genes of the two parents at each allele site.
Each population after the initial generation consists of the ten parents and
forty offsprings allowing incest. MONA-LISA is a Boltzmann machine; as
such its activation function if stochastic. Motivated readers may find it
profitable to refer back to the brief account of neural nets given above,
wherein the role of an activation function is discussed.
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- ... work.32
- We conclude with some brief
remarks on point 3:
As one might expect, an increase in the creative capacity of a system causes
an increase in
the system's complexity. Our evolutionary system
creates
representations with a new level of complexity over previous work in
evolutionary
computation. The increase in complexity is due to an increase in the
cardinality of the
relationships, increases in the level of emergent properties, and an
increase in what Löfgren
calls interpretation and descriptive processes [Löfgren, 1974].
The potential for
complexity in a representation is determined by the relationships among the
features. In the
image elicitation
system, the image is described at the atomic level. The low level description
allows for an
extremely large number of relationships as compared to systems that use a
higher, feature-level representation. Image elicitation requires that features
emerge
along with the
configuration, rather then
serving to define the features with only the configuration
evolving. As stated, our system promotes both polygenic and pleiotropic
relationships
between the genotype and the phenotype. Because of these relationships,
the complexity
of interpretation and description increases.
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- ... gold.33
- For a
complete treatment of super-computation and related matters, including
literary creativity, see [Bringsjord & Zenzen, 1997] and [Bringsjord, mingb].
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